Abstract
This study examine Monster movie that portray the character of Saori Mugino through a femme-masculine representation. The primary objective is to critically deconstruct the femme-masculine representation shown in the movie. To achieve this, the study employs the theoretical framework of Popular Culture Theory. In addi tion, the study employs Roland Barthes semiotic analysis to examine the denotations, connotations and myths associated with femme-masculine. The research I grounded in qualitative approach and adopts a critical paradigm. The results showed that femme-masculine in Monster movie is shown as an integration between feminine characteristics and masculine characteristics. Femme-masculine characteristics are described as a female figure exhibits both traditionally feminine and masculine traits, including being attentive, irritable, emotional, fond of colorful clothing, engaged in domestic responsibilities, while also simultaneously brave, independent, hardworking, responsible, masculine physical appearance, expert in driving vehicles, and par enting style associated with a man. The study also identifies a distortion in the conventional meaning of femi ninity, which has become interwoven with elements of masculinity. As a result, femininity and masculinity are no longer perceived as binary opposites, but rather as components of a single, fluid dichotomy
DOI: doi.org/10.63721/25JPAIR0107
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